Two-Day Hybrid International Conference on “Applied Theatre” organised by Research Department of English, Sri S. Ramasamy Naidu Memorial College, Sattur, Tamil Nadu.
Contents
SR.NO | NAME OF THE TOPIC | AUTHOR | SUBJECT | FULL ACCESS |
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1. |
APPLIED THEATRE: PRACTICES, PERFORMANCES, CRISIS AND
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JOBY JOSEPH |
ARTICLE | Click Here |
2. |
APPLIED THEATRE-THE EFFECTIVE TOOL TO BRING MIND TRANSFORMATION OF THE INDIAN AUDIENCE TOWARDS THE WOMAN AS A GENDER |
DR. REENA SINGH |
ARTICLE | Click Here |
3. |
IMPACT OF PRISON THEATRE: EXPLORING THE AESTHETICS OF LIBERATION |
DR. SHAKUN MAHAJAN |
ARTICLE | Click Here |
4. |
THEATER AS THE MEANS OF DISTRESSING THE DAMSEL |
DR SRUSHTI DODIA |
ARTICLE | Click Here |
5. |
THEORETICAL ANALYSIS OF WILLIAM GIBSON’S THE MIRACLE WORKER USING CRIP THEORY |
MRS.M.JOSNA INFANTA |
ARTICLE | Click Here |
6. |
QUIRE DESIRE IN INDIAN CULTURE WITH REFERENCE TO MAHESH DATTANI’S BRAVELY FOUGHT THE QUEEN |
MRS.S.SANTHI |
ARTICLE | Click Here |
7. |
PERFORMANCE OF HOPE: ‘VOICE’ – THE VITAL PART OF COMMUNICATING TRAUMA AS PRESENTED IN GIRISH
|
M. KEERTHANA |
ARTICLE | Click Here |
8. |
DIALOGUE AS THE TAPROOT OF HUMOUR IN NEIL SIMON’S LOST IN YONKERS |
Dr. B. SOUNDARY |
ARTICLE | Click Here |
9. |
FINDING NEMO’S “LUCKY FIN” AS A THEATRICAL REPRESENTATION OF DISABILITY |
DR. V. PONMARI |
ARTICLE | Click Here |
10. |
THE ‘HERE’ AND ‘THERE’ IN KAMALA MARKANDAYA’S THE NOWHERE MAN |
DR. K. RAMESH BABU |
ARTICLE | Click Here |
11. |
THEATRE AS RESEMBLANCE: THE PROSE AND POETRY OF BRHANNALA |
DR. DHARA K. CHOTAI |
ARTICLE | Click Here |
12. |
A PSYCHOANALYTICAL READING IN LORRAINE HANSBERRY’S PLAY A RAISIN IN THE SUN |
S. ANU REVATHY |
ARTICLE | Click Here |
13. |
PSYCHOLOGICAL REASON FOR SUICIDE IN “TO ROOM NINETEEN” |
K.M.MADHUMATHI SRI |
ARTICLE | Click Here |
14. |
A THEATRICAL MODE OF REALISM IN ASIF CURRIMBHOY’S THE MIRACLE SEED |
DR. J. KOWSALYA |
ARTICLE | Click Here |
15. |
WOMEN’S SELF-QUEST IN SHASHI DESHPANDE THE DARK HOLDS NO TERROR |
M. SUSILA |
ARTICLE | Click Here |
16. |
APPLIED THEATRICALITY: REVIEWING CHUTNEY SOCA AS THE EXPRESSION OF THE QUOTIDIAN |
SUMIT SINGHA |
ARTICLE | Click Here |
17. |
MAHESH DATTANI’S FINAL SOLUTIONS: A THEATRICAL PERSPECTIVE |
SAMI ULLAH BHAT |
ARTICLE | Click Here |
18. |
HUNT FOR LOVE IN THE NOVEL “THE GOLDEN GATE” BY VIKRAM SETH |
M. MYTHILI DEVI |
ARTICLE | Click Here |
19. |
CRITICAL ANALYSIS OF GITA MEHTA’s WORKS |
B. PRIYANKA & DR.A. PADMASHINI |
ARTICLE | Click Here |
20. |
BETWEEN CONTENTS AND DAIS: THE THEATRICAL TRANSFORMATIONS OF J.M. COETZEE’S FOE |
M.MANIMEHALA |
ARTICLE | Click Here |
21. |
A CRITICAL ANALYSIS OF MAHESH DATTANI’S TARA VIS-À-VIS GENDER JUSTICE |
B. NITHEESH KRISHNAN |
ARTICLE | Click Here |
22. |
REVISITING BHIKHARI THAKUR’S BIDESIA AS AN ANALOGOUS ‘APPLIED’
|
PANKAJ KUMAR |
ARTICLE | Click Here |
23. |
THE LIFE AND WORKS OF KAMALA DAS WERE THE AMALGAMATIONS OF PRISON AND DESIRES |
SUGANDHA AGNIHOTRI & DR.TANVEER KHADIJA |
ARTICLE | Click Here |
24. |
GEORGE KAISER’S IDEA OF “NEW MAN” IN HIS PLAY FROM MORN TO MIDNIGHT |
ABUL BASHAR |
ARTICLE | Click Here |
25. |
AN OVERVIEW OF THEATRE AND DEVELOPMENT AS SOCIAL CHANGE |
KRISHNAKANT PATIL |
ARTICLE | Click Here |
26. |
THEATRE AND EDUCATION |
MEGHA SHEORAN |
ARTICLE | Click Here |
27. |
PSYCHODRAMA THROUGH STORYTELLING IN IT’S OKAY NOT TO BE OKAY |
SANGAMITHRA NATARAJ
|
ARTICLE | Click Here |
28. |
THE USE OF T‘HEATER’ AS A ‘HEATER’ BY SARAH SCHULMAN IN EDUCATING THE MASSES ABOUT QUEER LIVES THROUGH HER SCRIPTS FOR THE MOVIES THE OWL, MOMMY IS COMING AND JASON AND SHIRLEY |
JOSEPH K. J. & DR. J. AMALAVEENUS |
ARTICLE | Click Here |
29. |
EXPLORATION AND PROMULGATION OF THE POSSIBILITIES OF PROFICIENT AND MEANINGFUL EDUCATION THROUGH THEATRE |
G. LOGANATHAN & DR. M MEENA DE |
ARTICLE | Click Here |
30. |
INTERPRETATION OF RELIGION AND SPIRITUALITY IN LITERATURE: TONI MORRISON AND ZORA NEALE HURSTON |
MS. M. JENNIFER GNANASEELI & DR. A.PADMASHINI |
ARTICLE | Click Here |
31. |
A BREAKDOWN OF THE SYMBIOTIC RELATIONSHIP SANDWICHED BETWEEN EDUCATION AND THEATRE:A STUDY |
P. SHAKTHI VENDHAN |
ARTICLE | Click Here |
32. |
WORDS ‘WAITING’ TO BE SUNG:ADAPTING SPOKEN DRAMA INTO A MUSICAL |
SOUPARNO BHATTACH |
ARTICLE | Click Here |
33. |
CULTURAL DOMINATION IN DEVDUTT PATANAIK‟S THE PREGNANT KING |
J.S. HARINYGA DHARSHYN |
ARTICLE | Click Here |
34. |
MALE DOGMATISM IN KALKI’S PONNIYIN SELVAN |
S.UDHAYASHREE |
ARTICLE | Click Here |
35. |
WOMEN: THEIR AGONY AND FAMILY LIVES IN ANITA DESAI’S “CLEAR LIGHT OF DAY” |
A.GOPIKA |
ARTICLE | Click Here |
36. |
DOLEFULNESS OF MARRIED LASSES IN VICTORIALUCAS’ PARNASSUSES |
M.BARATH |
ARTICLE | Click Here |
37. |
IDENTITY LOSS OF MRS. SEN AS AN IMMIGRANT IN THE SHORT STORY COLLECTION INTERPRETER OF MALADIES BY JHUMPA LAHIRI |
M. ARUL JO |
ARTICLE | Click Here |
38. |
APPLIED THEATRE PRACTICE: ITS TRANSFORMATIVE QUALITIES IN THE FIELD OF EDUCATION |
MS. AKSHAYA N &
|
ARTICLE | Click Here |
39. |
THE THEME OF CULTURAL TRANSFORMATION OF WOMEN
|
R.JONLIN JEYAM |
ARTICLE | Click Here |
40. |
KABADA NADAGAM – THEATRE OF/FROM THE EVERYDA |
SANKEY SAMUEL |
ARTICLE | Click Here |
41. |
IDENTITY LOSS OF MRS. SEN AS AN IMMIGRANT IN THE SHORT STORY COLLECTION INTERPRETER OF MALADIES BY JHUMPA LAHIRI |
T. SUTHIPTHI |
ARTICLE | Click Here |
42. |
IDENTITY LOSS OF MRS. SEN AS AN IMMIGRANT IN THE SHORT STORY COLLECTION INTERPRETER OF MALADIES BY JHUMPA LAHIRI |
M. AKI |
ARTICLE | Click Here |
43. |
THE THEME OF COMRADESHIP IN RUSKIN BOND’S THE ROOM ON THE ROOF |
K. PABITHA |
ARTICLE | Click Here |
44. |
REFLECTION OF SOCIAL DISPUTES IN GEORGE BERNARD SHAW’S PYGMALION |
V.SHARMILA |
ARTICLE | Click Here |
45. |
LISTENING AN INDISPENSABLE AID |
K. MUTHU LAKSH |
ARTICLE | Click Here |
46. |
SELFISHNESS: DISSOLVED BY THE POWER OF CHILDREN |
K. VEL VIZH |
ARTICLE | Click Here |
47. |
PORTRAYAL OF BRAVE WOMEN IN THE NOVEL “THE KITCHEN” BY BANANA YOSHIMOTO |
M. MERLIN KI |
ARTICLE | Click Here |
48. |
IDEA OF COMPOSURE IN JAMES R. DOTY’S INTO THE MAGIC SHOP |
BIRUDHA SREE G. |
ARTICLE | Click Here |
49. |
SURREALISM IN THE PRISONER OF CHILLON BY LORD BYRON |
A.S. RISHI PRIY |
ARTICLE | Click Here |
50. |
COMPARISON OF SHAKESPEARE & ILAYARAJA” (MUSIC (VS) LITERATURE) |
A.BOOMA |
ARTICLE | Click Here |
51. |
EXISTENTIAL CRISIS IN JOHN GREEN’S “THE FAULT IN OUR STARS” |
A.LUZINATHERAS |
ARTICLE | Click Here |
52. |
BLOOMING FONDNESS OF KRISHNA IN R.K.NARAYAN’S “THE ENGLISH TEACHER” |
S.PREETHI |
ARTICLE | Click Here |
53. |
THE CONCEPT OF SHADEISM WITH REFERENCE TO HEMA GOPINATH SAH’S POEM KALI |
J. JENIFER SHIN |
ARTICLE | Click Here |
54. |
DECEPTIONS IN “ANIMAL FARM” |
A. SHEEF |
ARTICLE | Click Here |
55. |
UNREALISTIC PERSONALITIES IN GRIMM’S “FAIRY TALES” |
A.BABY SUBA |
ARTICLE | Click Here |
56. |
THE FORESIGHT FULL FATE IN AFTERNOON BY PHILIP LARKIN |
A.KIRUTHIGA |
ARTICLE | Click Here |
57. |
THE YEARNING OF WOMEN IN KAMALA DAS’S POEM THE OLD PLAYHOUSE |
T. AARTHI(21PN29) |
ARTICLE | Click Here |
58. |
VOYAGE OF PIYA AND FOKIR IN AMITAV GHOSH’S THE HUNGRY
|
M.GOWTHAMKUMAR |
ARTICLE | Click Here |
59. |
THE PORTRAYAL OF INDIAN CULTURE AND MOTHER’S LOVE IN THE POEM
|
J. SHARMI ANU |
ARTICLE | Click Here |