| SR.NO |
NAME OF THE TOPIC |
AUTHOR |
SUBJECT |
FULL ACCESS |
| i. |
Front & Back Cover Page
|
www.langlit.org |
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| ii. |
Message by Hon.Prof. Sharanappa V. Halse
|
www.langlit.org |
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| iii. |
From the Editor’s Desk –Dr. Srikanth.S
|
www.langlit.org |
PDF Format
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| iv. |
Contents
|
www.langlit.org |
PDF Format
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| 1. |
PERFORMING THE NATION: POST-PARTITION IDENTITY IN AMAR AKBAR ANTHONY, RAAZI AND VEER-ZAARA
|
AAZIB AHMAD & NIDA
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Article
|
Click Here |
| 2. |
CINEMA: A COMPLEMENTARY MEDIUM FOR EDUCATION
|
AJAY S KUMAR
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Article
|
Click Here |
| 3. |
BEYOND THE PROTAGONIST: UNEXAMINED MISOGYNY AND THE LIMITS OF FEMALE AGENCY IN BOLLYWOOD’S WOMEN-CENTRIC FILMS
|
AKANKSHA KUNJALWAR
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Article
|
Click Here |
| 4. |
ULF MIGRATION AND THE PURSUIT OF MIDDLE CLASS ASPIRATIONS IN MALAYALAM CINEMA
|
ALEESHA JOSEPH & DR. RAMAPRASAD B V
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Article
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Click Here |
| 5. |
TEXT AND FILM: WHEELS OF SOCIAL CHANGE
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ANAGHA DATTA NADENDLA
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Article
|
Click Here |
| 6. |
A STUDY ON FOLK TALES IN MODERN SCREENS
|
ANITHA S.
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Article
|
Click Here |
| 7. |
THE SACRED AND THE SINISTER: A CRITICAL ANALYSIS OF GREGORIAN CHANT IN THE PRIEST
|
ANN MARIA LOPEZ
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Article
|
Click Here |
| 8. |
BETWEEN CERTAINTIES: EMBODIMENT AND EXCLUSION IN CONCLAVE
|
ANUPAMA MANI
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Article
|
Click Here |
| 9. |
SURVEILLANCE, SEGREGATION, AND THE REPLICATED OTHER: RELOCATING THE ‘HUMAN’ IN RIDLEY SCOTT’S BLADE RUNNER
|
ARGHYA DEY
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Article
|
Click Here |
| 10. |
TRAUMA, CULTURE, AND THE INTERPLAY OF KASHMIRI PANDIT STORIES IN LITERATURE AND CINEMA
|
ARJUN DHAR
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Article
|
Click Here |
| 11. |
DEVOTIONAL ICON OR CULTURAL ENTERTAINER? THE MEDIA ADAPTATIONS OF KRISHNA
|
BHOOMIKA J AND MAHIMA JAIN
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Article
|
Click Here |
| 12. |
ROMANTIC IDEOLOGY IN KANNADA CINEMA: A STUDY OF NATURE, INDIVIDUALISM, AND RURAL-URBAN DICHOTOMIES IN DR. RAJKUMAR’S FILMS (1972-1974)
|
BHOOMIKA P J
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Article
|
Click Here |
| 13. |
INTERSECTING VOICES: WOMANHOOD AT THE CROSSROADS OF CINEMA, LITERATURE, AND CULTURE” IN THE MOVIE “THE HELP” AND THE NOVEL “THE COLOR PURPLE”
|
BRUNDA.R.
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Article
|
Click Here |
| 14. |
“THE POWER OF QUIET: THE AESTHETICS OF SILENCE IN CINEMA”
|
CHANDANA K
|
Article
|
Click Here |
| 15. |
GATSBY’S WOMEN: A STUDY OF INTERNALIZED TOXIC MASCULINITY IN FITZGERALD’S THE GREAT GATSBY
|
CHANDNI KUMARI
|
Article
|
Click Here |
| 16. |
REALITY TO HYPERREALITY: A BAUDRILLARDIAN READING OF LUCY
|
CHETHAN B MANJUNATH
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Article
|
Click Here |
| 17. |
CULTURAL ROOTEDNESS AND UNIVERSAL APPEAL: EXPLORING KOREAN MYTHS AND FOLKLORES IN “KPOP DEMON HUNTERS”
|
CHITHIRA SEVVALLI
|
Article
|
Click Here |
| 18. |
THE AESTHETIC OF SILENCE IN LITERATURE AND CINEMA
|
DEEP DAY
|
Article
|
Click Here |
| 19. |
FROM PAGE TO SCREEN: HUMAN SUFFERING AND THE FAILURE OF HUMANITY IN KHALED HOSSEINI’S SEA PRAYER AND AI WEIWEI’S HUMAN FLOW
|
DEVAKI DHARMISTE
|
Article
|
Click Here |
| 20. |
BEYOND THE MIRROR: DOPPELGANGER AS NARRATIVE TECHNIQUE AND SOCIAL COMMENTARY IN SELECT KANNADA FILMS
|
DEVAPPA & DR.VATSALYA.R
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Article
|
Click Here |
| 21. |
BEYOND THE RED VEIL: VISUALIZING PSYCHOLOGICAL VIOLENCE IN LITERARY AND CINEMATIC ADAPTATIONS OF THE HANDMAID’S TALE
|
DHANUSHA NISSI. D
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Article
|
Click Here |
| 22. |
THE TRANSFORMATION OF MANJAMMA JOGATHI: AN ANALYSIS OF GENDER RECONSTRUCTION IN MANJAMMA JOGATHI’S MEMOIR FROM MANJUNATH TO MANJAMMA
|
DOREOBANNA B. & DR. RAMAPRASAD B.V.
|
Article
|
Click Here |
| 23. |
CARNATIC CLASSICAL MUSIC IN SOUTH INDIAN FILM INDUSTRY
|
DR JYOTHI SHANKAR
|
Article
|
Click Here |
| 24. |
SATYAJIT RAY AND THE SOCIOLOGICAL CRITIQUE OF VIOLENCE,MASCULINITY,AND NARRATIVE DEGRADATION IN BOLLYWOOD
|
DR RAMYA S
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Article
|
Click Here |
| 25. |
NAVIGATING CONTRADICTIONS: A DIALECTICAL READING OF KANASEMBA KUDUREYANERI
|
DR S YAGNASRI
|
Article
|
Click Here |
| 26. |
REPRESENTATION OF WOMEN IN SHARATCHANDRA’S DEVDAS: A STUDY OF THE NOVEL AND THE EVOLUTION IN TREATMENT IN SELECT CINEMATIC ADAPTATIONS
|
DR SANGO BIDANI
|
Article
|
Click Here |
| 27. |
TRANSITIONS IN MARATHI HORROR FILMS POST-2000: FROM FOLK INFLUENCES TO MODERN PSYCHOLOGICAL THRILLERS
|
MANDLIK RUSHIKESH BALASAHEB & DR. AJIT GAGARE
|
Article
|
Click Here |
| 28. |
ADAPTATION AS TRANSFORMATION: A STUDY OF ‘HARIVU’ AS AN INTERPRETIVE ACT BEYOND REPORTAGE
|
DR. CHANNABASAVA
|
Article
|
Click Here |
| 29. |
REFLECTING MALENAD’S RURAL SOCIETY, KANOORU HEGGADITHI TRAVERSES FROM PAGES TO SCREEN
|
DR. R. PURNIMA
|
Article
|
Click Here |
| 30. |
MEDIATING MODERNITY: KANNADA PRINT CULTURE AND THE EARLY DISCOURSES ON CINEMA (1900–1950)
|
SHAILA SHREE M. N.
|
Article
|
Click Here |
| 31. |
EXPLORING POWER, MORALITY AND FAMILY IN THE GODFATHER: HISTORICAL AND CONTEMPORARY PERSPECTIVES
|
DR. SHAKUNTALA SORATUR
|
Article
|
Click Here |
| 32. |
LOVE IN THE AGE OF AI: A CRITICAL STUDY OF AN OTT MOVIE ‘HER’
|
DR.SWAPNIL KAMBLE & PROF.DASHRATH GAVIT
|
Article
|
Click Here |
| 33. |
FROM FICTIONAL TALES TO CINEMATIC FRAMES:REPRESENTING CHILDHOOD AND LOCALE IN RUSKIN BOND’S WORKS
|
DR.UMESH PATIL & PROF. ZARREEN NAZ MOHAMMED IQBAL
|
Article
|
Click Here |
| 34. |
MELODRAMA AND MESSAGE: HOW CINEMATIC CONVENTIONS SHAPE FEMINIST DISCOURSE IN “THE GUIDE”
|
DURBADAL GHIBELA & PROF. MAYENGBAM BIDYARANI DEVI
|
Article
|
Click Here |
| 35. |
“FROM SACRIFICE TO SELFHOOD: EVOLUTION OF WOMEN IN TAMIL CINEMA (1974-2025)”
|
EZHILARASI M.H
|
Article
|
Click Here |
| 36. |
INTERPRETING STORIES: ANALYSING MULTI-ADAPTATION IN THE SANDMAN
|
HENNA C.
|
Article
|
Click Here |
| 37. |
OLD DESIGN, NEW FABRIC: HOW WEB-SERIES ARE PRESERVING FOLK SONGS WITH A MODERN TWIST
|
HRIDYA SHRIVASTAVA & DR SANTOSH SHRIVASTAVA
|
Article
|
Click Here |
| 38. |
REWRITING THE RULES OF ROMANCE: QUEER PATHWAYS IN RED, WHITE & ROYAL BLUE
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JESINTHA JOSELIN C & DR. K. PREMKUMAR
|
Article
|
Click Here |
| 39. |
TRAVELLING HEARTS: EMOTIONAL JOURNEYS IN CINEMA AND LITERATURE
|
K GOUTHAMRAJAN
|
Article
|
Click Here |
| 40. |
ECO- FEMINIST VISIONS:WOMEN IN FILM ADAPTATIONS OF THOMAS HARDY’S NOVELS
|
KHANSA TASNEEM & DR. GHIZALA R. HASHMI
|
Article
|
Click Here |
| 41. |
EMOTIONS OF MALE BEHIND THE ARMOR IN ARMS AND THE MAN BY GEORGE BERNARD SHAW
|
L. GRASHYA & DR. M. JOHN SUGANYA
|
Article
|
Click Here |
| 42. |
THE ‘UNGRIEVABLE’ SUBJECT: SPECTRAL VIOLENCE AND THE POLITICS OF LOSS IN ANEK
|
LATHA G M & DR. MOHAN PRAKSH
|
Article
|
Click Here |
| 43. |
CULTURAL ADAPTATIONS IN CINEMA AND LITERATURE
|
LEENA J P
|
Article
|
Click Here |
| 44. |
FROM TEXT TO TERRAIN: VISUAL AESTHETICS AND THE TRANSFORMATION OF LANGUAGE IN SCIENCE FICTIONADAPTATIONS
|
MADHUSHALINI G R1 & DR.SHIVALINGASWAMY H. K2
|
Article
|
Click Here |
| 45. |
REPRESENTATION OF WOMEN IN MODERN MEDIA : THEMATIC ANALYSIS OF THE FILMS MRS. AND THAPPAD
|
MAHIMA JAIN
|
Article
|
Click Here |
| 46. |
THE ACTS OF REMEMBERING KASHMIR: MEMORY AND IDENTITY IN VISHAL BHARDWAJ’S HAIDER
|
MANA SINGH
|
Article
|
Click Here |
| 47. |
LACK OF COHERENCE AMONG THE WORLDS OF A FILM: A STUDY OF KANNADA MOVIE VIKRANTH RONA
|
MANASWI M SWAMY & DR. B V RAMAPRASAD
|
Article
|
Click Here |
| 48. |
CLOSETS ON SCREEN: CINEMATIC SILENCES IN THE CULTURAL IMAGINATION OF TENNESSEE WILLIAMS
|
MANJUNATHA S G & DR. BHARAT SHILPI
|
Article
|
Click Here |
| 49. |
EXPLOITATION OF WOMEN’S LABOUR DURING THE PARTITION ERA: FAMILIAL ECONOMY THROUGH RITWIK GHATAK’S FILM
|
MD. FAZLUR RAHAMAN & SAYAN RAKSHIT
|
Article
|
Click Here |
| 50. |
BURDEN OF BEING PERFECT: A STUDY OF WOMEN IN THE MOVIE NATHICHARAMI
|
MEGHA S
|
Article
|
Click Here |
| 51. |
LITERARY HERITAGE ON SCREEN: A STUDY OF CULTURE AND RURAL REALITY IN ABACHURINA POSTAPISU
|
MONIKA B. G,
|
Article
|
Click Here |
| 52. |
EMOTIONS IN CINEMA AND LITERATURE IN CONTEXT WITHAMISH TRIPATHI’S RAMCHANDRA SERIES
|
MRS. VENUKA ROSHAN NASARE & MRS. GHIZALA RAIYAZ HASHMI
|
Article
|
Click Here |
| 53. |
DEPICTION OF GENDER RELATIONSHIPS IN MUSLIM FAMILIES AS PORTRAYED IN KANNADA MOVIES
|
MS. ANJUM B.S. & PROF. VARGHESE P A
|
Article
|
Click Here |
| 54. |
SCIENCE FICTION’S JOURNEY INTO FILM
|
MS. ASHWINI. S
|
Article
|
Click Here |
| 55. |
SOLITARY FRAMES: QUEER SINGLEHOOD AND SELFFASHIONING IN INDEPENDENT CINEMA
|
MS. LAKSHYA
|
Article
|
Click Here |
| 56. |
PANDAS AND PAPER WALLS: WHEN WOMEN’S EMOTIONS BECOME MONSTERS IN PIXAR’S TURNING RED (2022) AND
CHARLOTTE PERKINS GILMAN’S THE YELLOW WALLPAPER (1892)
|
MS. MANUSHRI H. KHAROD
|
Article
|
Click Here |
| 57. |
FROM ATTIC TO SCREEN: A TRANSCULTURAL STUDY OF PSYCHOLOGICAL CONFINEMENT IN PARAMA & JANE EYRE
|
MS. SAIJAL PAWAR & MR. MANU B S
|
Article
|
Click Here |
| 58. |
GENDERED TRAUMAS AND FRAGMENTED NATIONS: PARTITION IN SAADAT HASAN MANTO’S TOBA TEK SINGH AND AMRITA
PRITAM’S PINJAR WITH THEIR CINEMATIC ADAPTATIONS
|
MS. SAMYUKTHA SINGH T.
|
Article
|
Click Here |
| 59. |
WOMEN BETWEEN PAGES AND FRAMES: FEMININE SUBJECTIVITY IN LITERATURE AND CINEMA
|
MS. VINDYA. K
|
Article
|
Click Here |
| 60. |
THE MONSTROUS MOTHER: THE TRANSGRESSION OF FEMINIST RAGE THROUGH ABJECTION AND BODILY RESILIENCE IN LILLI
|
MUNEERA K T & DR. HASHMINA HABEEB
|
Article
|
Click Here |
| 61. |
FROM TEXT TO THEATRE: CULTURAL ADAPTATION AND NARRATIVE REINCARNATION IN R.K. NARAYAN’S THE GUIDE AND VIJAY ANAND’S GUIDE
|
MUSRATH SULTANA
|
Article
|
Click Here |
| 62. |
REGIONAL TO NATIONAL: EXPLORING THE LINGUISTIC AND CULTURAL SHIFTS IN PAN-INDIA CINEMATIC ADAPTATIONS OF
LITERATURE
|
NANDINI M N
|
Article
|
Click Here |
| 63. |
LITERARY LANDSCAPES AND CULTURAL CURRENTS: MAPPING THE CONFLUENCE IN MYSURU
|
NISHA A K & DR MONBINDER KAUR
|
Article
|
Click Here |
| 64. |
DR.EMPOWERMENT THROUGH THE MEDIUM OF CINEMA: RISE OF THE WOMEN CENTRIC ROLES IN INDIAN CINEMA IN RECENT DECADES
|
NISHANTH.K.N.
|
Article
|
Click Here |
| 65. |
BRIDGERTON AND THE DECOLONIZATION ILLUSION: DEFAMILIARIZATION AND THE AESTHETICS OF EMPIRE IN
POPULAR CULTURE
|
NIVI UPMANU
|
Article
|
Click Here |
| 66. |
CINEMATIC REPRESENTATIONS OF NEURODIVERGENCE: A CASE STUDY OF ATTENTION-DEFICIT/HYPERACTIVITY
DISORDER IN THE MALAYALAM FILM SARKEET
|
OMAR RIHAS &
DR S. SUJARITHA
|
Article
|
Click Here |
| 67. |
EXPLORING THE QUEER NARRATIVES IN INDIAN CINEMA BY REVISITING “NAANU AVANALLA AVALU” (2015) AND “TAALI”
(2023): A REMARKABLE JOURNEY TO THE FOREFRONT
|
PADMASHREE. G
|
Article
|
Click Here |
| 68. |
URBAN SOLITUDE AND THE ABSURD: GENDER AND MEANING IN RITESH BATRA’S THE LUNCHBOX
|
PALLAVI JAVALEKAR P M
|
Article
|
Click Here |
| 69. |
HARIDASA LITERATURE IN KANNADA FILM INDUSTRY
|
PAREEKSHITH B VASHISHTA & DR. JYOTHI SHANKAR
|
Article
|
Click Here |
| 70. |
REIMAGINING WOMANHOOD IN SANJAY LEELA BHANSALI’S CINEMA
|
PRATIKSHYA MOHANTY
|
Article
|
Click Here |
| 71. |
ERSONAL SCARS: REFLECTIONS ON TRAUMA IN HAN KANG’S HUMAN ACTS AND NAYANTARA SAHGAL’S RICH LIKE US
|
PRAVEENA A M P
|
Article
|
Click Here |
| 72. |
EMOTIONS IN LITERATURE AND CINEMA OF THE CONTEMPORARY ERA
|
PROF. N. MAMATHA
|
Article
|
Click Here |
| 73. |
PERFORMATIVITY, LANGUAGE, AND RESISTANCE: SUBALTERN DYNAMICS IN KIRAGOORINA GAYYALIGALU
|
PUNEETH M.
|
Article
|
Click Here |
| 74. |
ECOLOGICAL ISSUES IN THOMAS KING’S WORKS AND THEIR CINEMATIC PARALLELS
|
RAGULKUMAR B
|
Article
|
Click Here |
| 75. |
A RETREAT FROM REALITY INTO THE REALM OF FANTASY: A SPECIAL FOCUS ON HARRY POTTER AND THE CHRONICLES OF
NARNIA
|
RAHEELA ROOHIN R
|
Article
|
Click Here |
| 76. |
ADDICTION AND THE AMERICAN PSYCHE: CULTURAL PATHOLOGIES IN EUGENE O’NEILL’S LONG DAY’S JOURNEY INTO NIGHT
|
RAJANNA & DR.VENUGOPALA BN
|
Article
|
Click Here |
| 77. |
COMPARING LITERATURE AND FILM: A STUDY OF PEDAGOGICAL APPROACHES
|
RAMESH CHANDRA PRADHANI
|
Article
|
Click Here |
| 78. |
LITERATURE AND CINEMA AS A MEDIUM OF EDUCATION
|
RAMYASHREE B.K
|
Article
|
Click Here |
| 79. |
SPECTACLE AND SILENCE: PEEPLI [LIVE] AS MEDIA PERFORMANCE OF RURAL POVERTY
|
RANI NOORJAHAN AKBAR & DR M S VEENA
|
Article
|
Click Here |
| 80. |
CINEMATIC ECOLOGIES- ENVIRONMENTAL CRISIS AND ECOLOGICAL CONSCIOUSNESS IN KUROSAWA’S DREAMS
|
RICHA RAJPUROHIT
|
Article
|
Click Here |
| 81. |
CULTURAL MEMORY AND CINEMATIC AMNESIA: A STUDY OF RAJASTHANI CINEMA
|
RITU SONI
|
Article
|
Click Here |
| 82. |
REPRESENTATION OF DALIT OPPRESSION, RESISTANCE AND CINEMATIC PEDAGOGY IN SARPATTA PARAMBARAI BY PA
RANJITH
|
ROWENA EUNICE
|
Article
|
Click Here |
| 83. |
THE FACADE OF LAUGHTER: WOMEN, COMEDY, AND PATRIARCHY IN SELECTED MALAYALAM FILMS
|
S SADIYA FATHIMA
|
Article
|
Click Here |
| 84. |
RITUALS AND INTIMACY OF EATING: THE SEMIOTICS OF FOOD IN ANG LEE’S EAT DRINK MAN WOMAN
|
SANIA MUZAMIL
|
Article
|
Click Here |
| 85. |
THE MALE GAZE AND MIDDLE-CLASS FEMININITY: VISUAL POLITICS IN INDIAN DAILY SOAPS
|
SAVAN R. GURJAR
|
Article
|
Click Here |
| 86. |
CONVERGENCE OF CINEMA AND LITERATURE WITH CULTURE IN SRI LANKA: A QUANTITATIVE INVESTIGATION OF YOUTH PERCEPTIONS
|
SENESH DISSANAIKE BANDARA
|
Article
|
Click Here |
| 87. |
IMAGINED FUTURES: VISUAL AND NARRATIVE TALES OF SCIENCE FICTION
|
SHAHANAZ BANU S & DR. SUBRAHMANYA SHARMA. V
|
Article
|
Click Here |
| 88. |
SCIENCE FICTION IN FILM ADAPTATION OF DAN BROWN’S ‘LANGDON SERIES’
|
SHRADDHA N. YEOLE & DR. AJIET R. JACHAK
|
Article
|
Click Here |
| 89. |
BOX OFFICE, BALLOT BOX, BLOCKBUSTER: REWRITING HISTORY AND GENDERING DISSENT IN THE INDIAN MULTIPLEX
|
SHRI ARKADEEP RAY & SHRI SWAHANG RAY MAHASHAYA
|
Article
|
Click Here |
| 90. |
TRACING SOCIAL JUSTICE ACROSS FORMS: UNDERSTANDING ALEX HALEY’S ROOTS AS LITERATURE AND CINEMA
|
SIDDHARTH A P
|
Article
|
Click Here |
| 91. |
JAYALALITHAA’S POWER PARADOX: UNDERSTANDING STARDOM, STATESMANSHIP, AND GENDER
|
SREELAKSHMI T K
|
Article
|
Click Here |
| 92. |
ENDOSULFAN IN POPULAR MEMORY: REPRESENTATION AND SUFFERING IN VALIYA CHIRAKULLA PAKSHIKAL
|
SRILAKSHMI
|
Article
|
Click Here |
| 93. |
UNDERSTANDING EMOTIONS: BRIDGING THE CONFLUENCE OF RABINDRANATH TAGORE, SATYAJIT RAY AND ANVITA DUTT
GUPTAN
|
SUFIYA ANSARI
|
Article
|
Click Here |
| 94. |
HUMANOID NARRATIVES AND CULTURAL MIRRORS: TRACING IDENTITY AND TECHNOLOGY IN ASIMOV’S BICENTENNIAL MAN ACROSS MEDIA
|
SUJITH MOHAN
|
Article
|
Click Here |
| 95. |
DYNAMICS OF SILENCE AND VOICE IN ELIF SHAFAK’S NOVEL 10 MINUTES 38 SECONDS IN THIS STRANGE WORLD AND REEMA
KAGTI’S MOVIE TALAASH: THE ANSWER LIES WITHIN
|
SUMA & DR.SRIKANTH.S
|
Article
|
Click Here |
| 96. |
BETWEEN CROWNS AND PICKLES: VISUALIZING EXISTENTIALISM IN THE ROYALS AND AACHARI BAA
|
SUNNY KUMAR
|
Article
|
Click Here |
| 97. |
SUBALTERN ECOLOGIES AND CLIMATE CRISIS: READING KADVI HAWA AND ANIMAL’S PEOPLE THROUGH THE SDG LENS
|
SURYA S NAIR & MEENAKSHI.S.
|
Article
|
Click Here |
| 98. |
CULTURAL HYBRIDITY AND THE AESTHETICS OF STILLNESS IN
ABDULRAZAK GURNAH’S NOVEL BY THE SEA AND BEN SHARROCK’S FILM LIMBO
|
SUSHMA D. & Dr. SRIKANTH S.
|
Article
|
Click Here |
| 99. |
REWRITING WOMANHOOD: THE PORTRAYAL OF WOMEN IN JANE AUSTEN’S EMMA AND MIKE NEWELL’S MONA LISA SMILE
|
UJWALA S SHETTY
|
Article
|
Click Here |
| 100. |
REIMAGINING THE KANNADA WOMAN: A COMPARATIVE ANALYSIS OF KUVEMPU’S AND GIRISH KARNAD’S KANOORU
HEGGADITHI
|
VANI HEMANTH & NAGASRI S
|
Article
|
Click Here |
| 101. |
DIGITAL DESPAIR AND EMOTIONAL VACUUM: DEHUMANISED SENSIBILITIES IN CHARLIE BROOKER’S BLACK MIRROR
|
OMPRAKASH & DR. SRIKANTH.S
|
Article
|
Click Here |
| 102. |
CASTE, CLASS, AND CULTURE AT THE CROSSROADS: A MARXIST READING OF PERUMAL MURUGAN AND TAMIL CINEMA
|
BIJU JUSTIN & DR. SRIKANTH.S
|
Article
|
Click Here |
| 103. |
THE TIES THAT BIND AND HAUNT: HAUNTING THE FEMALE RELATIONSHIP IN ELIZABETH JOLLEY’S THE WELL THROUGH THE CINEMATIC PERSPECTIVE
|
DR. MADHURA A.S & MRS.POORNIMA.S
|
Article
|
Click Here |
| 104. |
ART AS A RESOLUTION AGAINST PATRIARCHY: MYTH AND REALITY IN HEERAMANDI
|
DR. MADHURA A.S & MRS. USHADEVI
|
Article
|
Click Here |
| 105. |
TEACHING THROUGH TALES: LITERATURE AND CINEMA AS EDU-CULTURAL TOOLS IN CONTEMPORARY CLASSROOMS
|
DR. MADHURA A.S & PANDURANGA H.R
|
Article
|
Click Here |
| 106. |
CYBORG NARRATIVES: HUMAN–MACHINE CONVERGENCE IN GIBSON’S NEUROMANCER AND GOODWIN’S THE ROAD
|
Dr. MADHURA A. S & Ms. USHA C R
|
Article
|
Click Here |
| 107. |
COURTESAN’S LIFE IN INDIAN CINEMA : A POETIC PORTRAIT OF LOVE,LOSS AND IDENTITY
|
VIVEKANANDA.A
|
Article
|
Click Here |
| 108. |
THE FENCE: AN AMBIGUOUS SYMBOL IN ROBERT FROST’S MENDING WALL AND DORIS PILKINGTON’S RABBIT-PROOF FENCE
|
DR.CHANDANA B
|
Article
|
Click Here |
| 109. |
OLERATING THE TRAUMA TO THRIVING LIFE: PSYCHOLOGICAL RESILIENCE IN CANCER THROUGH LITERATURE
|
YUVAPRIYA R1 AND DR S. S. SARANYA2
|
Article
|
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| 110. |
CASTE, RACE AND THE (DIS)CONTENTS: READING REPRESENTATIONS IN MEDIA AND POPULAR CULTURE
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ZOHRA KANTH
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Article
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| 111. |
RUMINATION AND CATHARSIS: CINEMATIC REPRESENTATION OF ANGER ACCUMULATION AND ERUPTION IN DAMIÁN SZIFRON’S RELATOS SALVAJES
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ADRIAN R. GREGORY & DR. M. SUBBU LAKSHMI
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Article
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| 112. |
EVOLUTION OF WOMEN IN REALITY, CELLULOID AND LITERATURE
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B BHARATHI BHUVANESWARI
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Article
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| 113. |
SUBJECTIVE AND OBJECTIVE CONSCIOUSNESS IN LUCIA AND THE CRY OF THE DOVE: A PSYCHOANALYTIC INTERPRETATION
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BIBI SADIQUA & ROOPINI R
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Article
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| 114. |
FROM REGIONAL ROOTS TO NATIONAL SCREENS: LITERATURE AND CINEMA IN PAN- INDIA ADAPTATION
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CHAITHRA
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Article
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| 115. |
SILENCE AS RESISTANCE: THE AESTHETICS AND PSYCHOLOGY OF ANANDHI IN AKHIL P. DHARMAJAN’S RAM C/O ANANDHI
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DR. PRIYA. P
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Article
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| 116. |
FROM HERO-WORSHIP TO STORY-CENTRIC NARRATIVES: THE CHANGING HERO IN CONTEMPORARY KANNADA CINEMA
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DR. SHRIDEVI P.G.
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Article
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| 117. |
REPRESENTATION OF THE ‘NORMAL’ MALAYALI: SILENCING DALIT AND TRIBAL LIVES AND THEIR STRUGGLES IN MALAYALAM CINEMA
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JIJIN JS
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Article
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| 118. |
TRAVELLING HEARTS: EMOTIONAL JOURNEYS IN CINEMA AND LITERATURE
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K GOUTHAMRAJAN
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Article
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| 119. |
TEXT VS. FILM: THE FICTIONAL REPRESENTATION OF THE BIAFRAN WAR IN HALF OF A YELLOW SUN
|
SUSHMITH N
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Article
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| 120. |
THE MOTIF OF JOURNEY AS A NARRATIVE TECHNIQUE IN CARL MÜLLER’S NOVEL THE JAM FRUIT TREE AND THE KANNADA FILM SAVAARI
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MR. SATHYANARAYANA
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Article
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| 121. |
A CRITICAL STUDY OF MARI SELVARAJ’S VAAZHAI AS A REFLECTION OF SOCIAL STRUGGLES
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MS. PRATHIPA N
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Article
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| 122. |
FROM VOICE TO WRITING: DERRIDA’S ARCHE-WRITING IN THE STORYTELLING OF VETRIMARAN’S VADA CHENNAI
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MUKESH V
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Article
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| 123. |
VISUAL SOVEREIGNTY AS POLITICAL RESISTANCE FOR THE CONTESTATION OF LAND, POWER, AND INDIGENOUS EPISTEMOLOGIES IN INDIAN CINEMA – A CASE STUDY OF KANTARA (2022)
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DR ISHWARYA R
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Article
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| 124. |
CULTURAL ADAPTATION IN CINEMA AND LITERATURE
|
RAJNI SATANE
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Article
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| 125. |
REVIEW OF WOMEN IN INDIAN LITERATURE AND CINEMA
|
SAMHITA SWAMY. R & N.
MAMATHA
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Article
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| 126. |
PLURALIST PASTS TO POLARIZED PRESENTS: MEMORY AND CINEMA IN CONTEMPORARY INDIA
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SAMRA FUAD & DR SONYA J NAIR
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Article
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| 127. |
MALABAR MIGRATION’S “REPRESENTATIONAL SPACE”: A SPATIAL STUDY ON CULTURAL LANDSCAPE OF MALABAR MIGRANTS IN SELECT MALAYALAM FILMS
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MR. SAMSON RAJAN
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Article
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| 128. |
SEVERANCE AND THE ORPHIC GLANCE: ADAPTING THE ORPHEUS MYTH IN A CULTURE OF DISTRACTIONS
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SEMMOZHIMANGAI N & DR. AYESHA M.I.
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Article
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| 129. |
FROM PAGE TO SCREEN: THE MORAL LANDSCAPE OF SRIKRISHNA ALANAHALLI IN KAADU, PARASANGADA GENDETHIMMA, AND BHUJANGAYYANA DASHAVATHARA
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SHARATH KUMAR K N
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Article
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| 130. |
RENDERING MEL GIBSON’S ‘APOCALYPTO’, CINEMATIC DISCOURSE AND TRANSPARENCY OF A POSTCOLONIAL HOTCHPOTCH
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SREEKANTH.G & DR. VINODHINI CHINNASWAMY
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Article
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| 131. |
FIDELITY, FEELING, AND FILM FORM:CULTURAL ADAPTATION IN THE BLUE UMBRELLA ACROSS TEXT AND CINEMA
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AVINASH KUMAR
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Article
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| 132. |
CINEMATIC MEMORYSCAPES: ADAPTING ORHAN PAMUK’S THE MUSEUM OF INNOCENCE IN THE INNOCENCE OF MEMORIES
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DR CHAND BASHA M
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Article
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| 133. |
THE FENCE: AN AMBIGUOUS SYMBOL IN ROBERT FROST’S MENDING WALL AND DORIS PILKINGTON’S RABBIT-PROOF FENCE
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DR.CHANDANA B
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Article
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| 134. |
DWEEPA AS TEXT AND FILM: A CRITICAL STUDY OF SCRIPTING AND SCREENING ECOLOGICAL CONCERNS THROUGH DIFFERENT MODES OF ARTISTIC REPRESENTATION
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DR. DIGAMBAR S. KULKARNI
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Article
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| 135. |
THE IMPACT OF CINEMA ON SOCIETY WITH REFERENCE TO POPULAR LEARNING THEORIES
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DR. HARSHA M.B.,
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Article
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| 136. |
THE CONFLUENCE OF CINEMA, LITERATURE,AND CULTURE: TRANS-DECONSTRUCTION IN MOTION
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DR. PRAMOD AMBADASRAO PAWAR
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Article
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| 137. |
LITERATURE AND CINEMA AS A MEDIUM OF EDUCATION
|
DR. SHYLAJA DEVI
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Article
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| 138. |
TEMPORAL REFLECTIONS ON HEROISM AND VULNERABILITY IN TWO VISUAL ADAPTATIONS OF ALL QUIET ON THE WESTERN FRONT
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SOWMYA A
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Article
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| 139. |
TEXT TO SCREEN: A COMPARATIVE CONTENT ANALYSIS OF WOMEN’S PORTRAYAL IN CHETAN BHAGAT’S TWO STATES AND HALF GIRLFRIEND AND THEIR FILM ADAPTATIONS
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GAYATHRI S
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Article
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| 140. |
EXPLORING FAITH, SURVIVAL, AND TRUTH IN LIFE OF PI: A STUDY ACROSS THE NOVEL AND ITS FILM ADAPTATION
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HARSHAVARDHANA.R
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Article
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| 141. |
CLASS, GENDER, AND SATIRE: UNPACKING THE VISUAL NARRATIVES OF JANE AUSTEN’S PRIDE AND PREJUDICE
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KAVYASHREE B M
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Article
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| 142. |
GREEN RESISTANCE: A POSTCOLONIAL ECOCRITICAL READING OF PETALS OF BLOOD AND OKJA
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MAHESHA C. D.
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Article
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| 143. |
FROM PAGE TO SCREEN: A CRITICAL EXAMINATION OF NALINI JAMEELA’S THE AUTOBIOGRAPHY OF A SEX WORKER IN DOCUMENTARY ADAPTATION
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MOULYA M
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Article
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| 144. |
COMIC INVERSIONS AND THE CARNIVALESQUE: A BAKHTINIAN READING OF SABAPATHY (1941)
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MS. SUNYOGITA S
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Article
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| 145. |
MELANCHOLIC NARRATIVES OF NOSTALGIA IN SELECT NOVELS OF V S NAIPAUL
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PRAKASHA N
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Article
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| 146. |
DOCUMENTING THE UNSPOKEN: A STUDY OF MEENA KANDASAMY’S “WHEN I HIT YOU’S TRANSITION FROM PAGE TO SCREEN
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PUNEETH KUMAR H K
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Article
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| 147. |
REVISITING THE NAGA MYTH: A COMPARATIVE STUDY OF KARNAD’S PLAY AND ITS FILM ADAPTATIONS
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RIZWANA BANU K M
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Article
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| 148. |
REEL REFLECTIONS: UNMASKING THE CRISIS OF ETHICS AND CONSCIENCE IN INDIAN CINEMA
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SHARATH KUMAR K.M & DR. CHAND BASHA M
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Article
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| 149. |
REIMAGINING FOLKLORE: A COMPARATIVE STUDY OF FOLK NARRATIVES IN FILM AND FICTION
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SHREE LAKSHMI GJ
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Article
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| 150. |
NEGOTIATING TRADITION AND MODERNITY: CULTURAL AMBIVALENCE IN HARUKI MURAKAMI’S NORWEGIAN WOOD
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ARVIND KISPOTTA & DR SRIKANTH S
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Article
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| 151. |
LITERATURE AND CINEMA AS A MEDIUM OF EDUCATION
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SHRUTHI H. L.
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Article
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| 152. |
DR. KANNADA CINEMA: EXPLORING REGIONAL CULTURE AND IDENTITY
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DR. BEERAPPA.H
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Article
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| 153. |
THE CINEMATIC POSSIBILITIES OF DIASPORIC FICTION: A STUDY OF RIDING HIGH WITH KRISHNA AND A BASEBALL BAT & OTHER STORIES
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KOUSHIK DEVAGIRI
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Article
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| 154. |
SURROGACY TRAUMA IN THE SURROGATE MOTHER BY FREIDA MC FADDEN
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PREMKUMAR K & DR SUBRAHMANYA SHARMA V
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Article
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| 155. |
BREAKING THE MELODRAMA: A STUDY OF SOCIAL REALISM IN CONTEMPORARY MALAYALAM CINEMA
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MARIA JAMES & DR GOWTHAM DEVANOOR P
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Article
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| 156. |
REFRAMING FUTURES: SCIENCE FICTION FILM ADAPTATIONS AS CULTURAL AND TEMPORAL DIALOGUES
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YASHAVANTHA M P
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Article
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| 157. |
TRANSLATING EMOTIONS: AN ANALYSIS OF ‘CHOKHER BALI’ ACROSS NOVEL, FILM, AND TELEVISION
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MOKSHA SHAH
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Article
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