A Two-Day International Conference on “The Confluence of Cinema, Literature & Culture” organised by KSOU, Mysuru

A Two-Day International Conference on “The Confluence of Cinema, Literature & Culture” organised by Department of Studies and Research in English, Karnataka State Open University, Mysuru,Karnataka, India.

SR.NO	NAME OF THE TOPIC	AUTHOR	SUBJECT	FULL ACCESS
i.	Front & Back Cover Page	www.langlit.org	JPG Image	Click Here
ii.	Message by Hon.Prof. Sharanappa V. Halse	www.langlit.org	JPG Image	Click Here
iii.	From the Editor’s Desk –Dr. Srikanth.S	www.langlit.org	PDF Format	Click Here
iv.	Contents	www.langlit.org	PDF Format	Click Here
1.	PERFORMING THE NATION: POST-PARTITION IDENTITY IN AMAR AKBAR ANTHONY, RAAZI AND VEER-ZAARA	AAZIB AHMAD & NIDA	Article	Click Here
2.	CINEMA: A COMPLEMENTARY MEDIUM FOR EDUCATION	AJAY S KUMAR	Article	Click Here
3.	BEYOND THE PROTAGONIST: UNEXAMINED MISOGYNY AND THE LIMITS OF FEMALE AGENCY IN BOLLYWOOD’S WOMEN-CENTRIC FILMS	AKANKSHA KUNJALWAR	Article	Click Here
4.	ULF MIGRATION AND THE PURSUIT OF MIDDLE CLASS ASPIRATIONS IN MALAYALAM CINEMA	ALEESHA JOSEPH & DR. RAMAPRASAD B V	Article	Click Here
5.	TEXT AND FILM: WHEELS OF SOCIAL CHANGE	ANAGHA DATTA NADENDLA	Article	Click Here
6.	A STUDY ON FOLK TALES IN MODERN SCREENS	ANITHA S.	Article	Click Here
7.	THE SACRED AND THE SINISTER: A CRITICAL ANALYSIS OF GREGORIAN CHANT IN THE PRIEST	ANN MARIA LOPEZ	Article	Click Here
8.	BETWEEN CERTAINTIES: EMBODIMENT AND EXCLUSION IN CONCLAVE	ANUPAMA MANI	Article	Click Here
9.	SURVEILLANCE, SEGREGATION, AND THE REPLICATED OTHER: RELOCATING THE ‘HUMAN’ IN RIDLEY SCOTT’S BLADE RUNNER	ARGHYA DEY	Article	Click Here
10.	TRAUMA, CULTURE, AND THE INTERPLAY OF KASHMIRI PANDIT STORIES IN LITERATURE AND CINEMA	ARJUN DHAR	Article	Click Here
11.	DEVOTIONAL ICON OR CULTURAL ENTERTAINER? THE MEDIA ADAPTATIONS OF KRISHNA	BHOOMIKA J AND MAHIMA JAIN	Article	Click Here
12.	ROMANTIC IDEOLOGY IN KANNADA CINEMA: A STUDY OF NATURE, INDIVIDUALISM, AND RURAL-URBAN DICHOTOMIES IN DR. RAJKUMAR’S FILMS (1972-1974)	BHOOMIKA P J	Article	Click Here
13.	INTERSECTING VOICES: WOMANHOOD AT THE CROSSROADS OF CINEMA, LITERATURE, AND CULTURE” IN THE MOVIE “THE HELP” AND THE NOVEL “THE COLOR PURPLE”	BRUNDA.R.	Article	Click Here
14.	“THE POWER OF QUIET: THE AESTHETICS OF SILENCE IN CINEMA”	CHANDANA K	Article	Click Here
15.	GATSBY’S WOMEN: A STUDY OF INTERNALIZED TOXIC MASCULINITY IN FITZGERALD’S THE GREAT GATSBY	CHANDNI KUMARI	Article	Click Here
16.	REALITY TO HYPERREALITY: A BAUDRILLARDIAN READING OF LUCY	CHETHAN B MANJUNATH	Article	Click Here
17.	CULTURAL ROOTEDNESS AND UNIVERSAL APPEAL: EXPLORING KOREAN MYTHS AND FOLKLORES IN “KPOP DEMON HUNTERS”	CHITHIRA SEVVALLI	Article	Click Here
18.	THE AESTHETIC OF SILENCE IN LITERATURE AND CINEMA	DEEP DAY	Article	Click Here
19.	FROM PAGE TO SCREEN: HUMAN SUFFERING AND THE FAILURE OF HUMANITY IN KHALED HOSSEINI’S SEA PRAYER AND AI WEIWEI’S HUMAN FLOW	DEVAKI DHARMISTE	Article	Click Here
20.	BEYOND THE MIRROR: DOPPELGANGER AS NARRATIVE TECHNIQUE AND SOCIAL COMMENTARY IN SELECT KANNADA FILMS	DEVAPPA & DR.VATSALYA.R	Article	Click Here
21.	BEYOND THE RED VEIL: VISUALIZING PSYCHOLOGICAL VIOLENCE IN LITERARY AND CINEMATIC ADAPTATIONS OF THE HANDMAID’S TALE	DHANUSHA NISSI. D	Article	Click Here
22.	THE TRANSFORMATION OF MANJAMMA JOGATHI: AN ANALYSIS OF GENDER RECONSTRUCTION IN MANJAMMA JOGATHI’S MEMOIR FROM MANJUNATH TO MANJAMMA	DOREOBANNA B. & DR. RAMAPRASAD B.V.	Article	Click Here
23.	CARNATIC CLASSICAL MUSIC IN SOUTH INDIAN FILM INDUSTRY	DR JYOTHI SHANKAR	Article	Click Here
24.	SATYAJIT RAY AND THE SOCIOLOGICAL CRITIQUE OF VIOLENCE,MASCULINITY,AND NARRATIVE DEGRADATION IN BOLLYWOOD	DR RAMYA S	Article	Click Here
25.	NAVIGATING CONTRADICTIONS: A DIALECTICAL READING OF KANASEMBA KUDUREYANERI	DR S YAGNASRI	Article	Click Here
26.	REPRESENTATION OF WOMEN IN SHARATCHANDRA’S DEVDAS: A STUDY OF THE NOVEL AND THE EVOLUTION IN TREATMENT IN SELECT CINEMATIC ADAPTATIONS	DR SANGO BIDANI	Article	Click Here
27.	TRANSITIONS IN MARATHI HORROR FILMS POST-2000: FROM FOLK INFLUENCES TO MODERN PSYCHOLOGICAL THRILLERS	MANDLIK RUSHIKESH BALASAHEB & DR. AJIT GAGARE	Article	Click Here
28.	ADAPTATION AS TRANSFORMATION: A STUDY OF ‘HARIVU’ AS AN INTERPRETIVE ACT BEYOND REPORTAGE	DR. CHANNABASAVA	Article	Click Here
29.	REFLECTING MALENAD’S RURAL SOCIETY, KANOORU HEGGADITHI TRAVERSES FROM PAGES TO SCREEN	DR. R. PURNIMA	Article	Click Here
30.	MEDIATING MODERNITY: KANNADA PRINT CULTURE AND THE EARLY DISCOURSES ON CINEMA (1900–1950)	SHAILA SHREE M. N.	Article	Click Here
31.	EXPLORING POWER, MORALITY AND FAMILY IN THE GODFATHER: HISTORICAL AND CONTEMPORARY PERSPECTIVES	DR. SHAKUNTALA SORATUR	Article	Click Here
32.	LOVE IN THE AGE OF AI: A CRITICAL STUDY OF AN OTT MOVIE ‘HER’	DR.SWAPNIL KAMBLE & PROF.DASHRATH GAVIT	Article	Click Here
33.	FROM FICTIONAL TALES TO CINEMATIC FRAMES:REPRESENTING CHILDHOOD AND LOCALE IN RUSKIN BOND’S WORKS	DR.UMESH PATIL & PROF. ZARREEN NAZ MOHAMMED IQBAL	Article	Click Here
34.	MELODRAMA AND MESSAGE: HOW CINEMATIC CONVENTIONS SHAPE FEMINIST DISCOURSE IN “THE GUIDE”	DURBADAL GHIBELA & PROF. MAYENGBAM BIDYARANI DEVI	Article	Click Here
35.	“FROM SACRIFICE TO SELFHOOD: EVOLUTION OF WOMEN IN TAMIL CINEMA (1974-2025)”	EZHILARASI M.H	Article	Click Here
36.	INTERPRETING STORIES: ANALYSING MULTI-ADAPTATION IN THE SANDMAN	HENNA C.	Article	Click Here
37.	OLD DESIGN, NEW FABRIC: HOW WEB-SERIES ARE PRESERVING FOLK SONGS WITH A MODERN TWIST	HRIDYA SHRIVASTAVA & DR SANTOSH SHRIVASTAVA	Article	Click Here
38.	REWRITING THE RULES OF ROMANCE: QUEER PATHWAYS IN RED, WHITE & ROYAL BLUE	JESINTHA JOSELIN C & DR. K. PREMKUMAR	Article	Click Here
39.	TRAVELLING HEARTS: EMOTIONAL JOURNEYS IN CINEMA AND LITERATURE	K GOUTHAMRAJAN	Article	Click Here
40.	ECO- FEMINIST VISIONS:WOMEN IN FILM ADAPTATIONS OF THOMAS HARDY’S NOVELS	KHANSA TASNEEM & DR. GHIZALA R. HASHMI	Article	Click Here
41.	EMOTIONS OF MALE BEHIND THE ARMOR IN ARMS AND THE MAN BY GEORGE BERNARD SHAW	L. GRASHYA & DR. M. JOHN SUGANYA	Article	Click Here
42.	THE ‘UNGRIEVABLE’ SUBJECT: SPECTRAL VIOLENCE AND THE POLITICS OF LOSS IN ANEK	LATHA G M & DR. MOHAN PRAKSH	Article	Click Here
43.	CULTURAL ADAPTATIONS IN CINEMA AND LITERATURE	LEENA J P	Article	Click Here
44.	FROM TEXT TO TERRAIN: VISUAL AESTHETICS AND THE TRANSFORMATION OF LANGUAGE IN SCIENCE FICTIONADAPTATIONS	MADHUSHALINI G R1 & DR.SHIVALINGASWAMY H. K2	Article	Click Here
45.	REPRESENTATION OF WOMEN IN MODERN MEDIA : THEMATIC ANALYSIS OF THE FILMS MRS. AND THAPPAD	MAHIMA JAIN	Article	Click Here
46.	THE ACTS OF REMEMBERING KASHMIR: MEMORY AND IDENTITY IN VISHAL BHARDWAJ’S HAIDER	MANA SINGH	Article	Click Here
47.	LACK OF COHERENCE AMONG THE WORLDS OF A FILM: A STUDY OF KANNADA MOVIE VIKRANTH RONA	MANASWI M SWAMY & DR. B V RAMAPRASAD	Article	Click Here
48.	CLOSETS ON SCREEN: CINEMATIC SILENCES IN THE CULTURAL IMAGINATION OF TENNESSEE WILLIAMS	MANJUNATHA S G & DR. BHARAT SHILPI	Article	Click Here
49.	EXPLOITATION OF WOMEN’S LABOUR DURING THE PARTITION ERA: FAMILIAL ECONOMY THROUGH RITWIK GHATAK’S FILM	MD. FAZLUR RAHAMAN & SAYAN RAKSHIT	Article	Click Here
50.	BURDEN OF BEING PERFECT: A STUDY OF WOMEN IN THE MOVIE NATHICHARAMI	MEGHA S	Article	Click Here
51.	LITERARY HERITAGE ON SCREEN: A STUDY OF CULTURE AND RURAL REALITY IN ABACHURINA POSTAPISU	MONIKA B. G,	Article	Click Here
52.	EMOTIONS IN CINEMA AND LITERATURE IN CONTEXT WITHAMISH TRIPATHI’S RAMCHANDRA SERIES	MRS. VENUKA ROSHAN NASARE & MRS. GHIZALA RAIYAZ HASHMI	Article	Click Here
53.	DEPICTION OF GENDER RELATIONSHIPS IN MUSLIM FAMILIES AS PORTRAYED IN KANNADA MOVIES	MS. ANJUM B.S. & PROF. VARGHESE P A	Article	Click Here
54.	SCIENCE FICTION’S JOURNEY INTO FILM	MS. ASHWINI. S	Article	Click Here
55.	SOLITARY FRAMES: QUEER SINGLEHOOD AND SELFFASHIONING IN INDEPENDENT CINEMA	MS. LAKSHYA	Article	Click Here
56.	PANDAS AND PAPER WALLS: WHEN WOMEN’S EMOTIONS BECOME MONSTERS IN PIXAR’S TURNING RED (2022) AND CHARLOTTE PERKINS GILMAN’S THE YELLOW WALLPAPER (1892)	MS. MANUSHRI H. KHAROD	Article	Click Here
57.	FROM ATTIC TO SCREEN: A TRANSCULTURAL STUDY OF PSYCHOLOGICAL CONFINEMENT IN PARAMA & JANE EYRE	MS. SAIJAL PAWAR & MR. MANU B S	Article	Click Here
58.	GENDERED TRAUMAS AND FRAGMENTED NATIONS: PARTITION IN SAADAT HASAN MANTO’S TOBA TEK SINGH AND AMRITA PRITAM’S PINJAR WITH THEIR CINEMATIC ADAPTATIONS	MS. SAMYUKTHA SINGH T.	Article	Click Here
59.	WOMEN BETWEEN PAGES AND FRAMES: FEMININE SUBJECTIVITY IN LITERATURE AND CINEMA	MS. VINDYA. K	Article	Click Here
60.	THE MONSTROUS MOTHER: THE TRANSGRESSION OF FEMINIST RAGE THROUGH ABJECTION AND BODILY RESILIENCE IN LILLI	MUNEERA K T & DR. HASHMINA HABEEB	Article	Click Here
61.	FROM TEXT TO THEATRE: CULTURAL ADAPTATION AND NARRATIVE REINCARNATION IN R.K. NARAYAN’S THE GUIDE AND VIJAY ANAND’S GUIDE	MUSRATH SULTANA	Article	Click Here
62.	REGIONAL TO NATIONAL: EXPLORING THE LINGUISTIC AND CULTURAL SHIFTS IN PAN-INDIA CINEMATIC ADAPTATIONS OF LITERATURE	NANDINI M N	Article	Click Here
63.	LITERARY LANDSCAPES AND CULTURAL CURRENTS: MAPPING THE CONFLUENCE IN MYSURU	NISHA A K & DR MONBINDER KAUR	Article	Click Here
64.	DR.EMPOWERMENT THROUGH THE MEDIUM OF CINEMA: RISE OF THE WOMEN CENTRIC ROLES IN INDIAN CINEMA IN RECENT DECADES	NISHANTH.K.N.	Article	Click Here
65.	BRIDGERTON AND THE DECOLONIZATION ILLUSION: DEFAMILIARIZATION AND THE AESTHETICS OF EMPIRE IN POPULAR CULTURE	NIVI UPMANU	Article	Click Here
66.	CINEMATIC REPRESENTATIONS OF NEURODIVERGENCE: A CASE STUDY OF ATTENTION-DEFICIT/HYPERACTIVITY DISORDER IN THE MALAYALAM FILM SARKEET	OMAR RIHAS & DR S. SUJARITHA	Article	Click Here
67.	EXPLORING THE QUEER NARRATIVES IN INDIAN CINEMA BY REVISITING “NAANU AVANALLA AVALU” (2015) AND “TAALI” (2023): A REMARKABLE JOURNEY TO THE FOREFRONT	PADMASHREE. G	Article	Click Here
68.	URBAN SOLITUDE AND THE ABSURD: GENDER AND MEANING IN RITESH BATRA’S THE LUNCHBOX	PALLAVI JAVALEKAR P M	Article	Click Here
69.	HARIDASA LITERATURE IN KANNADA FILM INDUSTRY	PAREEKSHITH B VASHISHTA & DR. JYOTHI SHANKAR	Article	Click Here
70.	REIMAGINING WOMANHOOD IN SANJAY LEELA BHANSALI’S CINEMA	PRATIKSHYA MOHANTY	Article	Click Here
71.	ERSONAL SCARS: REFLECTIONS ON TRAUMA IN HAN KANG’S HUMAN ACTS AND NAYANTARA SAHGAL’S RICH LIKE US	PRAVEENA A M P	Article	Click Here
72.	EMOTIONS IN LITERATURE AND CINEMA OF THE CONTEMPORARY ERA	PROF. N. MAMATHA	Article	Click Here
73.	PERFORMATIVITY, LANGUAGE, AND RESISTANCE: SUBALTERN DYNAMICS IN KIRAGOORINA GAYYALIGALU	PUNEETH M.	Article	Click Here
74.	ECOLOGICAL ISSUES IN THOMAS KING’S WORKS AND THEIR CINEMATIC PARALLELS	RAGULKUMAR B	Article	Click Here
75.	A RETREAT FROM REALITY INTO THE REALM OF FANTASY: A SPECIAL FOCUS ON HARRY POTTER AND THE CHRONICLES OF NARNIA	RAHEELA ROOHIN R	Article	Click Here
76.	ADDICTION AND THE AMERICAN PSYCHE: CULTURAL PATHOLOGIES IN EUGENE O’NEILL’S LONG DAY’S JOURNEY INTO NIGHT	RAJANNA & DR.VENUGOPALA BN	Article	Click Here
77.	COMPARING LITERATURE AND FILM: A STUDY OF PEDAGOGICAL APPROACHES	RAMESH CHANDRA PRADHANI	Article	Click Here
78.	LITERATURE AND CINEMA AS A MEDIUM OF EDUCATION	RAMYASHREE B.K	Article	Click Here
79.	SPECTACLE AND SILENCE: PEEPLI [LIVE] AS MEDIA PERFORMANCE OF RURAL POVERTY	RANI NOORJAHAN AKBAR & DR M S VEENA	Article	Click Here
80.	CINEMATIC ECOLOGIES- ENVIRONMENTAL CRISIS AND ECOLOGICAL CONSCIOUSNESS IN KUROSAWA’S DREAMS	RICHA RAJPUROHIT	Article	Click Here
81.	CULTURAL MEMORY AND CINEMATIC AMNESIA: A STUDY OF RAJASTHANI CINEMA	RITU SONI	Article	Click Here
82.	REPRESENTATION OF DALIT OPPRESSION, RESISTANCE AND CINEMATIC PEDAGOGY IN SARPATTA PARAMBARAI BY PA RANJITH	ROWENA EUNICE	Article	Click Here
83.	THE FACADE OF LAUGHTER: WOMEN, COMEDY, AND PATRIARCHY IN SELECTED MALAYALAM FILMS	S SADIYA FATHIMA	Article	Click Here
84.	RITUALS AND INTIMACY OF EATING: THE SEMIOTICS OF FOOD IN ANG LEE’S EAT DRINK MAN WOMAN	SANIA MUZAMIL	Article	Click Here
85.	THE MALE GAZE AND MIDDLE-CLASS FEMININITY: VISUAL POLITICS IN INDIAN DAILY SOAPS	SAVAN R. GURJAR	Article	Click Here
86.	CONVERGENCE OF CINEMA AND LITERATURE WITH CULTURE IN SRI LANKA: A QUANTITATIVE INVESTIGATION OF YOUTH PERCEPTIONS	SENESH DISSANAIKE BANDARA	Article	Click Here
87.	IMAGINED FUTURES: VISUAL AND NARRATIVE TALES OF SCIENCE FICTION	SHAHANAZ BANU S & DR. SUBRAHMANYA SHARMA. V	Article	Click Here
88.	SCIENCE FICTION IN FILM ADAPTATION OF DAN BROWN’S ‘LANGDON SERIES’	SHRADDHA N. YEOLE & DR. AJIET R. JACHAK	Article	Click Here
89.	BOX OFFICE, BALLOT BOX, BLOCKBUSTER: REWRITING HISTORY AND GENDERING DISSENT IN THE INDIAN MULTIPLEX	SHRI ARKADEEP RAY & SHRI SWAHANG RAY MAHASHAYA	Article	Click Here
90.	TRACING SOCIAL JUSTICE ACROSS FORMS: UNDERSTANDING ALEX HALEY’S ROOTS AS LITERATURE AND CINEMA	SIDDHARTH A P	Article	Click Here
91.	JAYALALITHAA’S POWER PARADOX: UNDERSTANDING STARDOM, STATESMANSHIP, AND GENDER	SREELAKSHMI T K	Article	Click Here
92.	ENDOSULFAN IN POPULAR MEMORY: REPRESENTATION AND SUFFERING IN VALIYA CHIRAKULLA PAKSHIKAL	SRILAKSHMI	Article	Click Here
93.	UNDERSTANDING EMOTIONS: BRIDGING THE CONFLUENCE OF RABINDRANATH TAGORE, SATYAJIT RAY AND ANVITA DUTT GUPTAN	SUFIYA ANSARI	Article	Click Here
94.	HUMANOID NARRATIVES AND CULTURAL MIRRORS: TRACING IDENTITY AND TECHNOLOGY IN ASIMOV’S BICENTENNIAL MAN ACROSS MEDIA	SUJITH MOHAN	Article	Click Here
95.	DYNAMICS OF SILENCE AND VOICE IN ELIF SHAFAK’S NOVEL 10 MINUTES 38 SECONDS IN THIS STRANGE WORLD AND REEMA KAGTI’S MOVIE TALAASH: THE ANSWER LIES WITHIN	SUMA & DR.SRIKANTH.S	Article	Click Here
96.	BETWEEN CROWNS AND PICKLES: VISUALIZING EXISTENTIALISM IN THE ROYALS AND AACHARI BAA	SUNNY KUMAR	Article	Click Here
97.	SUBALTERN ECOLOGIES AND CLIMATE CRISIS: READING KADVI HAWA AND ANIMAL’S PEOPLE THROUGH THE SDG LENS	SURYA S NAIR & MEENAKSHI.S.	Article	Click Here
98.	CULTURAL HYBRIDITY AND THE AESTHETICS OF STILLNESS IN ABDULRAZAK GURNAH’S NOVEL BY THE SEA AND BEN SHARROCK’S FILM LIMBO	SUSHMA D. & Dr. SRIKANTH S.	Article	Click Here
99.	REWRITING WOMANHOOD: THE PORTRAYAL OF WOMEN IN JANE AUSTEN’S EMMA AND MIKE NEWELL’S MONA LISA SMILE	UJWALA S SHETTY	Article	Click Here
100.	REIMAGINING THE KANNADA WOMAN: A COMPARATIVE ANALYSIS OF KUVEMPU’S AND GIRISH KARNAD’S KANOORU HEGGADITHI	VANI HEMANTH & NAGASRI S	Article	Click Here
101.	DIGITAL DESPAIR AND EMOTIONAL VACUUM: DEHUMANISED SENSIBILITIES IN CHARLIE BROOKER’S BLACK MIRROR	OMPRAKASH & DR. SRIKANTH.S	Article	Click Here
102.	CASTE, CLASS, AND CULTURE AT THE CROSSROADS: A MARXIST READING OF PERUMAL MURUGAN AND TAMIL CINEMA	BIJU JUSTIN & DR. SRIKANTH.S	Article	Click Here
103.	THE TIES THAT BIND AND HAUNT: HAUNTING THE FEMALE RELATIONSHIP IN ELIZABETH JOLLEY’S THE WELL THROUGH THE CINEMATIC PERSPECTIVE	DR. MADHURA A.S & MRS.POORNIMA.S	Article	Click Here
104.	ART AS A RESOLUTION AGAINST PATRIARCHY: MYTH AND REALITY IN HEERAMANDI	DR. MADHURA A.S & MRS. USHADEVI	Article	Click Here
105.	TEACHING THROUGH TALES: LITERATURE AND CINEMA AS EDU-CULTURAL TOOLS IN CONTEMPORARY CLASSROOMS	DR. MADHURA A.S & PANDURANGA H.R	Article	Click Here
106.	CYBORG NARRATIVES: HUMAN–MACHINE CONVERGENCE IN GIBSON’S NEUROMANCER AND GOODWIN’S THE ROAD	Dr. MADHURA A. S & Ms. USHA C R	Article	Click Here
107.	COURTESAN’S LIFE IN INDIAN CINEMA : A POETIC PORTRAIT OF LOVE,LOSS AND IDENTITY	VIVEKANANDA.A	Article	Click Here
108.	THE FENCE: AN AMBIGUOUS SYMBOL IN ROBERT FROST’S MENDING WALL AND DORIS PILKINGTON’S RABBIT-PROOF FENCE	DR.CHANDANA B	Article	Click Here
109.	OLERATING THE TRAUMA TO THRIVING LIFE: PSYCHOLOGICAL RESILIENCE IN CANCER THROUGH LITERATURE	YUVAPRIYA R1 AND DR S. S. SARANYA2	Article	Click Here
110.	CASTE, RACE AND THE (DIS)CONTENTS: READING REPRESENTATIONS IN MEDIA AND POPULAR CULTURE	ZOHRA KANTH	Article	Click Here
111.	RUMINATION AND CATHARSIS: CINEMATIC REPRESENTATION OF ANGER ACCUMULATION AND ERUPTION IN DAMIÁN SZIFRON’S RELATOS SALVAJES	ADRIAN R. GREGORY & DR. M. SUBBU LAKSHMI	Article	Click Here
112.	EVOLUTION OF WOMEN IN REALITY, CELLULOID AND LITERATURE	B BHARATHI BHUVANESWARI	Article	Click Here
113.	SUBJECTIVE AND OBJECTIVE CONSCIOUSNESS IN LUCIA AND THE CRY OF THE DOVE: A PSYCHOANALYTIC INTERPRETATION	BIBI SADIQUA & ROOPINI R	Article	Click Here
114.	FROM REGIONAL ROOTS TO NATIONAL SCREENS: LITERATURE AND CINEMA IN PAN- INDIA ADAPTATION	CHAITHRA	Article	Click Here
115.	SILENCE AS RESISTANCE: THE AESTHETICS AND PSYCHOLOGY OF ANANDHI IN AKHIL P. DHARMAJAN’S RAM C/O ANANDHI	DR. PRIYA. P	Article	Click Here
116.	FROM HERO-WORSHIP TO STORY-CENTRIC NARRATIVES: THE CHANGING HERO IN CONTEMPORARY KANNADA CINEMA	DR. SHRIDEVI P.G.	Article	Click Here
117.	REPRESENTATION OF THE ‘NORMAL’ MALAYALI: SILENCING DALIT AND TRIBAL LIVES AND THEIR STRUGGLES IN MALAYALAM CINEMA	JIJIN JS	Article	Click Here
118.	TRAVELLING HEARTS: EMOTIONAL JOURNEYS IN CINEMA AND LITERATURE	K GOUTHAMRAJAN	Article	Click Here
119.	TEXT VS. FILM: THE FICTIONAL REPRESENTATION OF THE BIAFRAN WAR IN HALF OF A YELLOW SUN	SUSHMITH N	Article	Click Here
120.	THE MOTIF OF JOURNEY AS A NARRATIVE TECHNIQUE IN CARL MÜLLER’S NOVEL THE JAM FRUIT TREE AND THE KANNADA FILM SAVAARI	MR. SATHYANARAYANA	Article	Click Here
121.	A CRITICAL STUDY OF MARI SELVARAJ’S VAAZHAI AS A REFLECTION OF SOCIAL STRUGGLES	MS. PRATHIPA N	Article	Click Here
122.	FROM VOICE TO WRITING: DERRIDA’S ARCHE-WRITING IN THE STORYTELLING OF VETRIMARAN’S VADA CHENNAI	MUKESH V	Article	Click Here
123.	VISUAL SOVEREIGNTY AS POLITICAL RESISTANCE FOR THE CONTESTATION OF LAND, POWER, AND INDIGENOUS EPISTEMOLOGIES IN INDIAN CINEMA – A CASE STUDY OF KANTARA (2022)	DR ISHWARYA R	Article	Click Here
124.	CULTURAL ADAPTATION IN CINEMA AND LITERATURE	RAJNI SATANE	Article	Click Here
125.	REVIEW OF WOMEN IN INDIAN LITERATURE AND CINEMA	SAMHITA SWAMY. R & N. MAMATHA	Article	Click Here
126.	PLURALIST PASTS TO POLARIZED PRESENTS: MEMORY AND CINEMA IN CONTEMPORARY INDIA	SAMRA FUAD & DR SONYA J NAIR	Article	Click Here
127.	MALABAR MIGRATION’S “REPRESENTATIONAL SPACE”: A SPATIAL STUDY ON CULTURAL LANDSCAPE OF MALABAR MIGRANTS IN SELECT MALAYALAM FILMS	MR. SAMSON RAJAN	Article	Click Here
128.	SEVERANCE AND THE ORPHIC GLANCE: ADAPTING THE ORPHEUS MYTH IN A CULTURE OF DISTRACTIONS	SEMMOZHIMANGAI N & DR. AYESHA M.I.	Article	Click Here
129.	FROM PAGE TO SCREEN: THE MORAL LANDSCAPE OF SRIKRISHNA ALANAHALLI IN KAADU, PARASANGADA GENDETHIMMA, AND BHUJANGAYYANA DASHAVATHARA	SHARATH KUMAR K N	Article	Click Here
130.	RENDERING MEL GIBSON’S ‘APOCALYPTO’, CINEMATIC DISCOURSE AND TRANSPARENCY OF A POSTCOLONIAL HOTCHPOTCH	SREEKANTH.G & DR. VINODHINI CHINNASWAMY	Article	Click Here
131.	FIDELITY, FEELING, AND FILM FORM:CULTURAL ADAPTATION IN THE BLUE UMBRELLA ACROSS TEXT AND CINEMA	AVINASH KUMAR	Article	Click Here
132.	CINEMATIC MEMORYSCAPES: ADAPTING ORHAN PAMUK’S THE MUSEUM OF INNOCENCE IN THE INNOCENCE OF MEMORIES	DR CHAND BASHA M	Article	Click Here
133.	THE FENCE: AN AMBIGUOUS SYMBOL IN ROBERT FROST’S MENDING WALL AND DORIS PILKINGTON’S RABBIT-PROOF FENCE	DR.CHANDANA B	Article	Click Here
134.	DWEEPA AS TEXT AND FILM: A CRITICAL STUDY OF SCRIPTING AND SCREENING ECOLOGICAL CONCERNS THROUGH DIFFERENT MODES OF ARTISTIC REPRESENTATION	DR. DIGAMBAR S. KULKARNI	Article	Click Here
135.	THE IMPACT OF CINEMA ON SOCIETY WITH REFERENCE TO POPULAR LEARNING THEORIES	DR. HARSHA M.B.,	Article	Click Here
136.	THE CONFLUENCE OF CINEMA, LITERATURE,AND CULTURE: TRANS-DECONSTRUCTION IN MOTION	DR. PRAMOD AMBADASRAO PAWAR	Article	Click Here
137.	LITERATURE AND CINEMA AS A MEDIUM OF EDUCATION	DR. SHYLAJA DEVI	Article	Click Here
138.	TEMPORAL REFLECTIONS ON HEROISM AND VULNERABILITY IN TWO VISUAL ADAPTATIONS OF ALL QUIET ON THE WESTERN FRONT	SOWMYA A	Article	Click Here
139.	TEXT TO SCREEN: A COMPARATIVE CONTENT ANALYSIS OF WOMEN’S PORTRAYAL IN CHETAN BHAGAT’S TWO STATES AND HALF GIRLFRIEND AND THEIR FILM ADAPTATIONS	GAYATHRI S	Article	Click Here
140.	EXPLORING FAITH, SURVIVAL, AND TRUTH IN LIFE OF PI: A STUDY ACROSS THE NOVEL AND ITS FILM ADAPTATION	HARSHAVARDHANA.R	Article	Click Here
141.	CLASS, GENDER, AND SATIRE: UNPACKING THE VISUAL NARRATIVES OF JANE AUSTEN’S PRIDE AND PREJUDICE	KAVYASHREE B M	Article	Click Here
142.	GREEN RESISTANCE: A POSTCOLONIAL ECOCRITICAL READING OF PETALS OF BLOOD AND OKJA	MAHESHA C. D.	Article	Click Here
143.	FROM PAGE TO SCREEN: A CRITICAL EXAMINATION OF NALINI JAMEELA’S THE AUTOBIOGRAPHY OF A SEX WORKER IN DOCUMENTARY ADAPTATION	MOULYA M	Article	Click Here
144.	COMIC INVERSIONS AND THE CARNIVALESQUE: A BAKHTINIAN READING OF SABAPATHY (1941)	MS. SUNYOGITA S	Article	Click Here
145.	MELANCHOLIC NARRATIVES OF NOSTALGIA IN SELECT NOVELS OF V S NAIPAUL	PRAKASHA N	Article	Click Here
146.	DOCUMENTING THE UNSPOKEN: A STUDY OF MEENA KANDASAMY’S “WHEN I HIT YOU’S TRANSITION FROM PAGE TO SCREEN	PUNEETH KUMAR H K	Article	Click Here
147.	REVISITING THE NAGA MYTH: A COMPARATIVE STUDY OF KARNAD’S PLAY AND ITS FILM ADAPTATIONS	RIZWANA BANU K M	Article	Click Here
148.	REEL REFLECTIONS: UNMASKING THE CRISIS OF ETHICS AND CONSCIENCE IN INDIAN CINEMA	SHARATH KUMAR K.M & DR. CHAND BASHA M	Article	Click Here
149.	REIMAGINING FOLKLORE: A COMPARATIVE STUDY OF FOLK NARRATIVES IN FILM AND FICTION	SHREE LAKSHMI GJ	Article	Click Here
150.	NEGOTIATING TRADITION AND MODERNITY: CULTURAL AMBIVALENCE IN HARUKI MURAKAMI’S NORWEGIAN WOOD	ARVIND KISPOTTA & DR SRIKANTH S	Article	Click Here
151.	LITERATURE AND CINEMA AS A MEDIUM OF EDUCATION	SHRUTHI H. L.	Article	Click Here
152.	DR. KANNADA CINEMA: EXPLORING REGIONAL CULTURE AND IDENTITY	DR. BEERAPPA.H	Article	Click Here
153.	THE CINEMATIC POSSIBILITIES OF DIASPORIC FICTION: A STUDY OF RIDING HIGH WITH KRISHNA AND A BASEBALL BAT & OTHER STORIES	KOUSHIK DEVAGIRI	Article	Click Here
154.	SURROGACY TRAUMA IN THE SURROGATE MOTHER BY FREIDA MC FADDEN	PREMKUMAR K & DR. SUBRAHMANYA SHARMA V	Article	Click Here
155.	BREAKING THE MELODRAMA: A STUDY OF SOCIAL REALISM IN CONTEMPORARY MALAYALAM CINEMA	MARIA JAMES & DR GOWTHAM DEVANOOR P	Article	Click Here
156.	REFRAMING FUTURES: SCIENCE FICTION FILM ADAPTATIONS AS CULTURAL AND TEMPORAL DIALOGUES	YASHAVANTHA M P	Article	Click Here
157.	TRANSLATING EMOTIONS: AN ANALYSIS OF ‘CHOKHER BALI’ ACROSS NOVEL, FILM, AND TELEVISION	MOKSHA SHAH	Article	Click Here
158.	“CONTRASTING APPROACHES TO WEALTH AND CULTURAL CONDITIONING: INSIGHTS FROM RICH DAD POOR DAD”—A STUDY	VINAY K Y & SOWMYA M A	Article	Click Here
159.	SHADOWS OF GIRMIT: RECLAIMING IDENTITIES FROM THE NARRATIVES TO THE CINEMATIC CANON	DR. ROHINI M.	Article	Click Here

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A Two-Day International Conference on “The Confluence of Cinema, Literature & Culture” organised by Department of Studies and Research in English, Karnataka State Open University, Mysuru,Karnataka, India.

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Message by Hon.Prof. Sharanappa V. Halse

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From the Editor’s Desk –Dr. Srikanth.S

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Contents

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PERFORMING THE NATION: POST-PARTITION IDENTITY IN AMAR AKBAR ANTHONY, RAAZI AND VEER-ZAARA

AAZIB AHMAD & NIDA

Article

CINEMA: A COMPLEMENTARY MEDIUM FOR EDUCATION

AJAY S KUMAR

Article

BEYOND THE PROTAGONIST: UNEXAMINED MISOGYNY AND THE LIMITS OF FEMALE AGENCY IN BOLLYWOOD’S WOMEN-CENTRIC FILMS

AKANKSHA KUNJALWAR

Article

ULF MIGRATION AND THE PURSUIT OF MIDDLE CLASS ASPIRATIONS IN MALAYALAM CINEMA

ALEESHA JOSEPH & DR. RAMAPRASAD B V

Article

TEXT AND FILM: WHEELS OF SOCIAL CHANGE

ANAGHA DATTA NADENDLA

Article

A STUDY ON FOLK TALES IN MODERN SCREENS

ANITHA S.

Article

THE SACRED AND THE SINISTER: A CRITICAL ANALYSIS OF GREGORIAN CHANT IN THE PRIEST

ANN MARIA LOPEZ

Article

BETWEEN CERTAINTIES: EMBODIMENT AND EXCLUSION IN CONCLAVE

ANUPAMA MANI

Article

SURVEILLANCE, SEGREGATION, AND THE REPLICATED OTHER: RELOCATING THE ‘HUMAN’ IN RIDLEY SCOTT’S BLADE RUNNER

ARGHYA DEY

Article

TRAUMA, CULTURE, AND THE INTERPLAY OF KASHMIRI PANDIT STORIES IN LITERATURE AND CINEMA

ARJUN DHAR

Article

DEVOTIONAL ICON OR CULTURAL ENTERTAINER? THE MEDIA ADAPTATIONS OF KRISHNA

BHOOMIKA J AND MAHIMA JAIN

Article

ROMANTIC IDEOLOGY IN KANNADA CINEMA: A STUDY OF NATURE, INDIVIDUALISM, AND RURAL-URBAN DICHOTOMIES IN DR. RAJKUMAR’S FILMS (1972-1974)

BHOOMIKA P J

Article

INTERSECTING VOICES: WOMANHOOD AT THE CROSSROADS OF CINEMA, LITERATURE, AND CULTURE” IN THE MOVIE “THE HELP” AND THE NOVEL “THE COLOR PURPLE”

BRUNDA.R.

Article

“THE POWER OF QUIET: THE AESTHETICS OF SILENCE IN CINEMA”

CHANDANA K

Article

GATSBY’S WOMEN: A STUDY OF INTERNALIZED TOXIC MASCULINITY IN FITZGERALD’S THE GREAT GATSBY

CHANDNI KUMARI

Article

REALITY TO HYPERREALITY: A BAUDRILLARDIAN READING OF LUCY

CHETHAN B MANJUNATH

Article

CULTURAL ROOTEDNESS AND UNIVERSAL APPEAL: EXPLORING KOREAN MYTHS AND FOLKLORES IN “KPOP DEMON HUNTERS”

CHITHIRA SEVVALLI

Article

THE AESTHETIC OF SILENCE IN LITERATURE AND CINEMA

DEEP DAY

Article

FROM PAGE TO SCREEN: HUMAN SUFFERING AND THE FAILURE OF HUMANITY IN KHALED HOSSEINI’S SEA PRAYER AND AI WEIWEI’S HUMAN FLOW

DEVAKI DHARMISTE

Article

BEYOND THE MIRROR: DOPPELGANGER AS NARRATIVE TECHNIQUE AND SOCIAL COMMENTARY IN SELECT KANNADA FILMS

DEVAPPA & DR.VATSALYA.R

Article

BEYOND THE RED VEIL: VISUALIZING PSYCHOLOGICAL VIOLENCE IN LITERARY AND CINEMATIC ADAPTATIONS OF THE HANDMAID’S TALE

DHANUSHA NISSI. D

Article

THE TRANSFORMATION OF MANJAMMA JOGATHI: AN ANALYSIS OF GENDER RECONSTRUCTION IN MANJAMMA JOGATHI’S MEMOIR FROM MANJUNATH TO MANJAMMA

DOREOBANNA B. & DR. RAMAPRASAD B.V.

Article